When Reality Street took on Philip Terry's strange and wonderful novel
tapestry it was, well, because I thought it strange and wonderful, and not with any expectation of public acclaim or commercial success.
Oddly, it was the second Oulipo-influenced novel with a lower-case title that we had published - after Paul Griffiths'
let me tell you - and also the second after that book to achieve national press reviews, in the most recent instance, Nicholas Lezard's pick of
tapestry as
paperback of th... Continue reading ...